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panasonic lumix fz300 / fz330

Posted on Dec 4, 2020 in Uncategorized

The FZ300 and the FZ330 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. The second scenario where Post Focus could come in useful is for portraiture. The screen remains 3in and fully articulated, but is now also higher resolution (1040k dot vs 460k dot) and more importantly becomes touch-sensitive, a feature that was sorely absent on the FZ200. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves. With snap movies you can set up a focus pull in advance tapping the screen to define the start and end focus positions, which is pretty neat. View the image, set the focus, or release the shutter from a distance, and then transfer images for sharing on social media. Here’s a version in 1080 / 50p. That said, neither comes close to the performance you could expect from even a modest DSLR or mirrorless camera equipped with phase detect AF. In this article, I’ll compare the Panasonic FZ300 / FZ330 superzoom versus, Panasonic FZ1000 (large-sensor f/2.8 fixed-aperture, weatherproofed superzoom), Sony RX10 II (large-sensor superzoom) versus the Canon SX60 HS, Canon’s praiseworthy ultrazoom. Once your phone or tablet is connected to the FZ330 / FZ300, you can remote control it, browse the images direct from the memory card, copy them onto the handset and if desired send them onto various storage or sharing services. comparator from among the camera models in the table. To be fair, the approach is not dissimilar to the way most other manufacturers implement direct uploads, but to me it makes more sense to just use Wifi to copy the image from the camera to a more capable device and upload from there instead. The Lumix FZ330 / FZ300 looks and feels altogether more robust and capable than the earlier FZ200. So how much of a difference does the RX10 II’s sensor make in practice? (sometimes also referred to as "crop factor") of 5.6. After a little fine-tuning of the sensitivity you’ll be able to capture the perfect moment when you’re at the top of your leap. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. You are here:  As on the FZ200, the screen is side-hinged, so you can angle it in any direction including forwards for self-shooting and can also fold it inwards to protect it when not in use. Stand-out features of the weather-proof FZ330 include a 24x zoom lens with a constant aperture of f/2.8 throughout the 25-600mm range, 5-Axis Hybrid O.I.S + system, 4K movie recording, high-resolution LCD touchscreen and EVF, fast auto-focusing, 12fps burst shooting, RAW file support and a … Switch to AVCHD format and the options are 1080p50/60 at 28Mbit/s, 1080i50/60 at 17Mbit/s (from 50p sensor output) or 24Mbit/s (from 25p sensor output), and 1080p24 at 24Mbit/s. There are two options for transferring images; Batch transfer provides a menu from which you can select options to transfer the current day’s images, or you can include the last 3, 7 or 30 days, or if you’re feeling impetuous you can opt to transfer everything. If so, please get in touch, so that we can correct the information. *PANASONIC Lumix FZ330 REVIEW* Oct 26, 2019 • Review of Panasonic Lumix DMC-FZ300. Below is a summary of the relative strengths of each of the two contestants. So in the next comparison below you’ll see the Lumix FZ330 / FZ300 at 600mm and its native resolution of 12 Megapixels, next to the Sony RX10 II at 200mm, but cropped from 20 to 12 Megapixels. First off here’s the Lumix FZ330 / FZ300 in its 4k / 25p mode at 100 Mbit/s. Find out in the latest If you’d like camera with a 1in sensor and a longer zoom than the RX10 II, consider the Lumix FZ1000 (16x / 25-400mm) or Canon G3X (25x / 24-600mm), albeit with both models slowing their apertures as the lenses extend through their focal range (to f4 and f5.6 respectively) – there’s always a compromise to balance. The ISO sensitivity at which this is achieved isn’t stated, but if you’re comparing this with the 13.5m figure quoted for the earlier FZ200, rest assured that the flash power hasn’t halved, it’s simply based on a lower ISO rating. How about other alternatives? For these clips I used the zoom rocker surrounding the shutter release, but don’t forget, there’s a second zoom control on the lens barrel. As before, the FZ330 / FZ300 uses a BLC12E Lithium Ion battery with a power rating of 1200mAh. One thing to bear in mind, though, is that the longer zoom on the FZ330 / FZ300 would allow you to move further way from the subject and choose a longer focal length, which would produce a shallower depth of field, albeit with a different perspective. Most obviously, the smaller aperture means it’s necessary to select a slower shutter speed – with the risk of camera shake or subject movement – or a higher ISO sensitivity setting to maintain a sufficiently fast shutter with noisier images as a result. The FZ330 / FZ300 can also shoot 720p movies at 100fps for slow motion playback at a quarter real time speed and 640 x480 at 200fps for playback at 1/8th speed. It succeeds the Panasonic Lumix DMC-FZ200. Even then, the 24x range was modest for a bridge super-zoom, but the constant maximum aperture which remains at f2.8 throughout the zoom range was and remains a very useful feature. Moving on, the FZ330 / FZ300 records 1080p at up to 28Mbit/s in AVCHD or MP4 modes. As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). The excellent Panasonic Lumix DMC-FZ300 superzoom offers a long focal range with a fixed-aperture lens, 4K video, and instant autofocus. Further options allow you to restrict transferred files to just photos or videos. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams The result still isn’t anywhere near as tight as the Lumix, but it’s certainly tighter than before. It’s a feature that’s popular on Panasonic’s compact range and undeniably great fun to see the names of people appear below their faces when they’re recognised. Above right: 100% crop, 4.5-108mm at 108mm, 1/20, 100 ISO, IOS on. To end on a positive note, the FZ330 / FZ300’s EVF has a much better eye cup that the RX10 II’s, it’s very comfortable and does a great job of blocking extraneous light. Here’s an examaple of the coverage on offer with the optical zoom on the FZ330 / FZ300. All of these things combine to give it a slightly more professional feel than the Lumix FZ330 / FZ300. The stabilisation is now improved and the newer Venus Engine image processor claims better quality along with in-camera RAW development and adjustable highlight and shadow tone curves from the Lumix G series. Above left: Panasonic Lumix FZ330 at 600mm equivalent 12 Megapixel original image. You can upload directly to Facebook, Twitter, Picasa, Youtube, Flickr, but there’s two gotchas. For comparison purposes I have a version filmed in Cinelike D for subsequent grading, along with a 1080p version and for completeness a Cinelike D version of that too. Do the specifications of the Panasonic FZ300 and the Panasonic FZ330 place the cameras among the top in their class? Of course it’s great to have updated AF area modes, but it’s the touch screen that makes the biggest difference to focussing with the FZ330 / FZ300. Above right: Sony Cyber-shot RX10 II at 200mm equivalent. Apart from body and sensor, cameras can and do differ across a range of features. Contrast detect AF systems also find it difficult to know when the optimum focus point is reached, so they often go past the best focus position before returning to it. The Lumix FZ330 / FZ300 also supports face recognition. Announced in July 2015, it’s the successor to the FZ200 launched three years previously. that favor affordability and compact design. The adjacent table lists some of the other core features of the Panasonic FZ300 and Panasonic FZ330 along with similar information for a selection of comparators. The burst varies in length from a very short fraction of a second to about one second, depending on the nature of the subject and the number of focus planes the FZ330 / FZ300 decides to include. - Panasonic Lumix FZ330 Bridge Camera - Battery charger - Battery pack - AC cable - USB cable - Lens hood - Lens cap - Lens cap string - Shoulder strap - DVD: Dimensions: 91.5 x 131.6 x 117.1 mm (H x W x D) Weight: 691 g: Guarantee: 1 year And as with the screen, pressing the display toggles between a clean uncluttered view with only basic exposure details, the full info view, full info with an electronic level or the minimum info display with the level. Lumix FZ330 / FZ300 Post Focus, Aperture Priority, 1/320, f2.8, 400 ISO, 63mm (439mm equivalent). Concerning the storage of imaging data, both the FZ300 and the FZ330 write their files to SDXC cards. The LUMIX FZ300 can be controlled remotely by using the Panasonic Image App on your Wi-Fi enabled smartphone or tablet. Essentially Post Focus uses the 30fps 4K shooting mode to focus bracket a rapid sequence of images. Photos can be composed on either a 3" tilting OLED display or … Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features. The Lumix DMC-FZ330 (also known as the FZ300) is Panasonic's latest super-zoom compact camera. For manual focus the FZ330 / FZ300 offers the usual array of focusing assistance including a distance scale, MF assist (which you can choose to display as a picture-in-picture inset or full-screen), magnification and peaking. The reported shutter speed information refers to the use of the mechanical shutter. The other issue is depth of field. may earn a commission when you buy through certain links shown on this site. It also supports 4k UHD video at 25 or 30fps along with Panasonic’s 4k Photo mode – a fun way of exploiting the fact 4k video captures an 8 Megapixel image up to 30 times a second. For this hand-held panning shot the stabilisation was enabled and it does a great job of keeping things wobble-free during the pan and zoom and even at the FZ330 / FZ300’s maximum 600mm focal length. For this clip the camera was mounted on a tripod and the stabilisation was disabled. Panasonic Lumix FZ330 coverage, wide and tele, Above: Panasonic Lumix FZ330 at 4.5mm (25mm) and at 108mm (600mm). and, thus, have identically-sized bodies. In good light the RX10 II also focusses almost instantaneously, but when I compared the two with the same stationery subject the FZ330 / FZ300 seemed fractionally faster and it was a little more reliable in low light. Which one should you buy? While I was in the middle of my review of the FZ330 / FZ300 Panasonic announced a firmware update adding the new Post Focus feature to the Lumix FZ330 / FZ300 as well as the mirrorless GX8 and G7 models.  »  For comparison, the screen on Sony’s RX10 II only tilts vertically, is not touch-sensitive, and employs a 4:3 shape which means native 3:2 images and especially 16:9 video are letter-boxed. The FZ330 / FZ300 shares the same 25-600mm equivalent zoom range as its predecessor, along with the constant f2.8 focal ratio and 12 Megapixel 1/2.3in MOS sensor behind the scenes. an electronic shutter, which makes completely silent shooting possible. MSRP $599.99 $698.00 at Amazon During recording you can change the exposure setting including, depending on the mode, aperture, shutter speed, ISO sensitivity and exposure compensation. : Panasonic LUMIX FZ300 Long Zoom Digital Camera Features 12.1 Megapixel, 1/2.3-Inch Sensor, 4K Video, WiFi, Splash & Dustproof Camera Body, LEICA DC 24X F2.8 Zoom Lens - DMC-FZ300K - (Black) USA : Camera & Photo Read my full review to discover which of these two bridge superzooms is the best option for you. Custom Multi mode allows you to select a subset of the 49 areas arranged in a diamond configuration a single row or column, or a user defined pattern, then you simply tap the screen to position your AF grid. 22 INTRODUCTION. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p). The only limitation is the slowest available shutter speed which, as for other 4k shooting modes is 1/30. Wifi allows you to wirelessly browse the FZ330 / FZ300’s images on the larger and more detailed screen of a smartphone or tablet, copy them onto these devices, upload them to online storage or social media services (either directly or via a smartphone), or become remote-controlled using the free Lumix Image app for iOS or Android devices. DMC-FZ300/FZ330 Firmware update service About downloading service. If you’ve only got the opportunity for one or two shots and you want to make sure you’ve got at least one frame that’s sharp where it should be, Post Focus might be your best option. It personally was interested to see how well the 1/2.3″ ultrazoom is compared against those other cameras. As you can see from the crops above I was able to avoid camera shake down to 1/20th. View and Download Panasonic Lumix DMC-FZ300 beginner's manual online. For this clip the camera was mounted on a tripod and the stabilisation was disabled. Here’s an example of both cameras at the same location zoomed to their maximum focal lengths; note the 3:2 aspect ratio of the Sony is wider. As before, the four cardinal points are assigned to ISO, white balance, self-timer/drive modes and AF area position. When set to auto mode, the flash pops up when required. Here’s a version in 1080 / 50p. Panasonic Lumix FZ330 / FZ300 lens and stabilisation The FZ330 / FZ300 sports the same 25-600mm equivalent f2.8 lens introduced on the FZ200 back in July 2012. Nikon Z TC-1.4x TC-2.0x teleconverter review. Like its predecessor, the FZ330 / FZ300 has 1080p HD movie modes at 25 and 50 frames per second in PAL regions and 30 and 60 fps in NTSC regions. From this site, you'll be able to easily download the latest firmware to enhance the product's performance. Thanks in advance for your kind support! Video pros will welcome the presence of Cinelike D and V profiles, the former delivering fairly flat footage, ready for grading. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The top panel of the FZ330 / FZ300 has gained a control wheel, this isn’t a new addition but rather a redesign of the old thumb wheel which protruded from the back of the FZ200. That doesn’t mean the FZ3300 FZ300’s stabilisation isn’t as good, these are real world tests and other factors come in to play, not the least of which is how steady you can hold the camera. On the other side of the viewfinder the FZ200’s AF/AE lock button has been augmented with a collar style switch for selecting the focus mode. Alternatively, you can also move across to the CAM-parator tool and Both the FZ300 and the FZ330 are recent models that are part of the current product line-up. reinforcing the earlier point that a camera decision is often a very personal choice. If you want to browse the images on the card in the camera before deciding which to transfer, then Transfer selection is the option to go for. Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers. It’s good to have these slow motion modes, but in this respect the FZ330 / FZ300 is comprehensively outclassed by the Sony RX10 II with its HFR modes. Comparing the Lumix FZ330 / FZ300 with the Sony RX10 II, I’d say that Depth by Defocus gives the Lumix a definite advantage over the RX10 II in lock-on AF mode when shooting moving subjects in good light. Sony describes the RX10 II as ‘dust and moisture resistant’ so we can only guess at how that compares in practical terms to the ‘splash / dustproof’ Lumix FZ330 / FZ300, but it would be reasonable to suppose that the occasional shower won’t do it any harm. The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. When the shutter is pressed the FZ330 / FZ300 fires a short burst in 4k mode using the electronic shutter. Most obviously, the RX10 II has a dedicated aperture ring and an exposure compensation dial. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. Both cameras offer the same maximum aperture. Focus and exposure are prioritised on recognised faces which can be registered manually, or you can set things up so that the camera automatically registers frequently shot faces. I then alternately tapped the screen in the region of the beer pumps on the bar and the ketchup bottle to shift the focus back and forth between them. On the left side of the lens barrel, conveniently situated for your left thumb there’s a second zoom rocker and behind that where the FZ200’s focus selector switch used to live there’s now a second control dial. The price you pay for the FZ330 / FZ300’s constant focal ratio is a zoom range that’s shorter than you’ll find on many comparably priced bridge super-zooms which boast 50x or greater ranges extending to 1200mm or more – double the FZ330 / FZ300’s reach. The FZ330 / FZ300 sports the same 25-600mm equivalent f2.8 lens introduced on the FZ200 back in July 2012. Further information on the two cameras (e.g. In these situations I’d probably shoot a full resolution version with the focus where I thought it should be and add a Post Focus version as insurance. May not be used without permission. Yet, some cameras only have an electronic shutter, while CAM-parator Did this review help to inform your camera decision process?  »  When you’re very close in on a subject, particularly one that’s moving (it doesn’t even have to be alive, the leaves in my example above were constantly on the move thanks to the wind) it can be difficult to pinpoint the focus and very shallow depth of field makes precision essential. The built-in flash has a range of 8.8 meters, (note that because of the FZ330 / FZ300’s constant aperture, that applies throughout the zoom range). On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses. The next specification to examine is the focal ratio which as you know is a constant f2.8 throughout the optical ranges of both the FZ330 / FZ300 and Sony RX10 II. The AF system now operates under lower light levels down to -3EV and supports Depth by Defocus to deliver quicker response and better continuous AF. I’m going to concentrate most of this section on Post Focus and refer you to previous reviews if you want more detail on 4K Photo – such as Gordon’s Lumix GX8 review. The two cameras under review were launched at the same price and fall into the same market segment. Download the original file (Registered members of Vimeo only) If I was to make a criticism of the touch focus operation it would be that it’s easy to inadvertently reposition the grid with your nose when using the viewfinder, particularly if, like me, you use your left eye. This affiliate payment will not have any effect on the price that the vendor is charging you. I’ll talk more about how that works in the shooting experience section below. I tested the FZ330 / FZ300 alongside Sony’s premium bridge super-zoom, the RX10 II. The FZ330 / FZ300 has no fewer than six focus modes, Pinpoint, 1-Area, Custom Multi, 49-Area, Tracking and Face Detection. Above: Panasonic Lumix FZ330 / FZ300 1/200, f3.5, 100 ISO, Above: Panasonic Lumix FZ330 / FZ300 1/1300, f4, 100 ISO. shooting under artificial light sources (risk of flickering). Panasonic Lumix FZ330 / FZ300 lens and stabilisation. Manufacturers are typically vague about the degree of protection you can expect form sealed bodies, in Panasonic’s case they describe the FZ330 / FZ300 as ‘splash / dustproof’. The Lumix FZ330 / FZ300 can also upload images directly to the internet by itself via a suitable Wifi connection. The body is bigger and a little heavier, it feels sturdier and the control layout has become more complex. If you don’t like your view cluttered with information overlays you can opt for a reduced viewfinder area with the exposure information on a black strip at the bottom. The FZ300 replaced the earlier Panasonic FZ200, while the FZ330 followed on from the Panasonic FZ200. The screen is 3:2 proportioned, so there are narrow black bars down either side when shooting stills in the sensor’s native 4:3 proportions; conversely when shooting 16:9 HD video you get narrow black bands top and bottom.

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